August 1, 2002
by
Kathryn
Jean
Lopez
“If you were a resident” of Hull-House, Elshtain explains, it would not be at all unusual of a day to move from reading George Eliot to debating Karl Marx, to washing newborns, to readying the dead for burial, to nursing the sick, to minding the children. Participating in the “humblest services” helped residents share in what Addams declared those “simple human foundations” laid down long ago, without whose fulfillment no human life could exist.
“If Hull-House does not have its roots in human kindness, it is no good at all,” Addams wrote in her last book The Excellent Becomes the Permanent, posthumously published 1932. These “roots” were at the heart of Hull-House’s kindergartens, daytime nurseries, playgrounds, boys’ and girls’ clubs, cooperative boardinghouse, theater workshops, music schools, language classes, reading groups, and more. Addams passed on to Hull-House residents the civic-mindedness that she acquired from her father. She held Lincoln’s Birthday celebrations, distributed copies of German immigrant Carl Schurz’s Appreciation of Abraham Lincoln (1891). In Twenty Years at Hull-House (1910), Addams wrote an entire chapter on Lincoln’s influence on democracy and her vocation. Democratic government, she wrote, is “the most valuable contribution America has made to the moral life of the world.” Elshtain writes that “Hull-House’s objective value lay in its capacity to help create strong citizens through a variety of means, methods, and media. If this sounds archaic or even corny to us, that is probably because we do not share Addams’s sense of urgency about the creation of strong citizens.”
Hull-House was a vocation for Addams, according to Elshtain. Addams never married and never gave birth. “Some distortions of Jane Addams’s life and work are the result of change over time in popular images of American womanhood,” Elshtain writes. “What in the Catholic tradition is called a vocation—associated historically with vows of chastity, poverty, spiritual devotion, and a life lived in community with cobelievers—was embraced, altered, and mingled with potent maternal imagery in Jane Addams.” Her vocation, however, was strongly based in Protestantism. Four years before opening Hull-House, in the summer of 1885, Addams joined the Presbyterian church. Her Protestantism was thoroughly American: “Perceiving Jesus of Nazareth as a forerunner of the Founding Fathers, she recast him as a proto-democrat bearing a saving message with egalitarianism at its heart,” Elshtain writes.
Hull-House was praised far and wide by the turn of the century, but Addams was not universally admired. Elshtain writes,
But irritation also began to surface among some observers in response to her defense of anarchists following the 1901 assassination of President William McKinley. A few years later, her activities took a more partisan turn, when she served as a delegate to the national convention of Progressives and as a member of the party’s platform committee in 1912. At the national convention, she seconded the nomination of Theodore Roosevelt for president. Her peace activities, first lauded, later exposed her to public ridicule and scorn. She opposed U.S. entry into World War I in 1917 and broke with most of her fellow Progressives on this issue. She spearheaded the American Woman’s Peace Party, which became a founding section of the Women’s International League for Peace and Freedom.
Never easily labeled politically, Addams and Hull-House always had critics, on both the Right and Left. “Hull-House was consistently denounced as the home of do-good bourgeois women who tried to salve their guilty consciences through meager palliative steps that in fact did no good and only deepened the ‘false consciousness’ of the masses, who would otherwise be gearing up for a social revolution,” Elshstain writes of Addams’s left-wing critics. As for attacks from the Right, Addams endured a decade or so of unpopularity for her pacifist stance during World War I. In 1931, however, she was awarded the Nobel Peace Prize.
Although there may be an increased interest in Addams today, if Elshtain’s project is any indication, her accomplishments are still not fully appreciated. In 1990, for example, Life magazine included Addams as one of “The One Hundred Most Important Americans of the Twentieth Century,” describing Hull-House as a “center providing meals. Job training. Education and even a home for Chicago’s immigrant poor.” But this sounds rather like a government entitlement program, and Hull-House was far superior to that. Elshtain provides a likely explanation for this lack of understanding. “Perhaps,” she writes, “we are so accustomed to thinking of the poor as clients rather than citizens, as recipients of social provision rather than active architects of their own destinies, that we have lost a civic vocabulary rich enough to accurately and fully describe the reality of Hull-House.”
Remembrances such as the one in Life also describe Addams simplistically as a suffragette. This, too, shortchanges her—she was much more sophisticated a thinker than that epithet suggests. In addition to Hull-House’s many successes, Addams left a large body of writing, including a dozen books and more than five hundred essays, articles, and speeches, some of which Elshtain collected in a companion volume, The Jane Addams Reader. In describing Addams, Elshtain quotes Addams contemporary George Eliot, who wrote in Middlemarch (1872) that the “growing good of the world is partly dependent on unhistoric acts.” That is a good description of an important part of Addams’s life—but only a part. She was a thinker as well as a doer. “Although Jane Addams has had her day, she has yet to receive her due,” Elshtain writes. Elshtain’s book is certainly a start, and for us it is something more: a crash course in the long-lost art of making lost souls into productive citizens through compassion.
Jean Bethke Elshtain, Jane Addams and the Dream of American Democracy (New York: Basic Books, 2001), 336 pages, $28.00
This review appears in the current issue of American Outlook magazine.
Kathryn Jean Lopez is an associate editor of National Review and editor of National Review Online (www.nationalreview.com).
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